Programme A-Z

Detailing multiple cases of the damage wreaked by benzodiazepines, Holly Hardman’s film offers poignant insight into a devastating social crisis.

Two men in Bahia, Brazil, try to prove their UK ancestry to qualify for a small plot of land in the city’s finest location: the British Cemetery.

Once seen as the drug that revolutionised women’s emancipation, the politics of hormonal birth control has a more troubling history, as this film details.

Using messages drawn from a family WhatsApp group, this film constructs a conversation between the billionaire Sackler family and those afflicted by America's opioid crisis.

In five powerful scenes, Afghanistan veteran Clement Boland recalls how the cruelty and strangeness of war has followed him back to his idyllic English home.

Shot mostly by its protagonist over the course of ten years, this is an intimate and devastating portrait of one man’s struggle with methamphetamine addiction.

Trapped without work, wages or food and facing the world’s strictest lockdown, 140 million migrant labourers begin to leave Mumbai, the city they toiled to build.

John Webster explores how the workplace has transformed to the point where the very idea of productive work appears to be the last thing on people’s minds.

Shot over five years, director Mia Ma follows her friend Julie as she tries to reinvent her future and find a way to live with schizophrenia.

An Ecuadorian filmmaker investigates Brussels’ subterranean world. Meanwhile, phone conversations with his surgeon father reveal that a deadly pandemic is sweeping both countries.

In this visceral, intensely intimate film, 65-year-old Bob has decided to end his own life after four years of living with Parkinson’s Disease.

An intimate portrait of life in a remote mountain village, seen through the eyes of four paramedics, as the spectre of COVID-19 looms over it.

Paul Chambers’ uncompromising yet uplifting film looks at the work of a Liverpool-based recovery living centre that uses art and sport to combat addiction.