We did an interview with Karolina Kotowska, the illustrator of zine dedicated to Focus/Shapes That Move: Feminist Film Collectives in Britain from the 1970s To Now
We’re very pleased to have an amazing Youth Jury this year and ahead of the festival, they have highlighted events that they’re looking forward to. Have a read to get some excellent recommendations!
Here are a few select audio tasters for docs featured in this year’s programme. Slip on some comfortable headphones, and ‘fwap fwap fwap’ the volume up to maximum.
We’re pleased to announce the selection for the Rough/Ready 2019 programme at Sheffield Doc/Fest. Three new UK productions at rough or fine cut stage will be presenting to industry members at the 2019 festival seeking finance, sales, festivals and distribution. The event is open to all interested industry pass holders
We introduce Spotlight conversations to the film programme, presenting premiere screenings and deep conversations with contemporary masters of non-fiction cinema.
Rough/Ready screens work in progress and fine cut films from filmmakers and/or producers based in the UK and Ireland, offering a space to engage with international and domestic festival programmers, sales agents, co-producers, distributors, and financiers.
Programme Manager Sarah Dawson and Film Programme Coordinator Hannah McHaffie share thoughts on shorts from our 2017 programme available to watch right now.
In this special focus, we bring into the foreground the collaborative power of those who have contributed to shaping new futures in Britain using the medium of film. Riding the wave of the politically radical sentiments that characterised the late sixties and seventies, new filmmaking formations bloomed, making possible the candid and creative documentation of life as it is experienced by female and non-binary people where it would not have been within traditional hierarchies of film and broadcasting. Over the past decades, cooperatives, workshops, political movements, common interests and brave broadcasting commissions have provided scaffolding to organise around the moving image, with a great variety of political objectives, aesthetic approaches and ways of embodying gender. With this presentation of films, we honour the work of those who have mobilised to bring about change with and in the moving image,
such that the act of filmmaking itself becomes an act of solidarity.
We’re pleased to launch and present an international selection of films at this year’s festival. Films originate from a record 47 countries of production.
